FUX online

Digital copies of Fux sources (selection)

The list of external links to digital content is checked and extended at regular intervals. At present, further unspecified works by Fux are identified in the catalogues. In the work database (under construction), the web links will connect to the particular compositions. We are grateful for references to other digitized sources.

The list remains sorted by K, L, E, N and Z numbers until the complete FuxWV is published. The numbers according to FuxWV are additionally indicated for the sacred and secular dramatic works as well as for the instrumental works. For a targeted quest, please use the search function of your browser.


Theoretical Works



List of RISM-Sigel: RISM search function, Wikipedia



Missa Ariosa K 2, L 20 / Missa S. Michaelis K 36: D-Dl Mus.2130-D-5,1; D-Dl Mus.1-B-98 (Benedictus)

Missa brevis solennitatis K 5: A-Wn Mus.Hs.19193 (autograph)

Missa brevium ultima K 6: D-DL Mus.2130-D-3

Missa Canonica K 7: A-Wn Mus.Hs.15556 (copy by Michael Haydn); D-B Am.B 413D-DS Mus.ms. 331

Missa Corporis Christi K 10: F-Pn RES F-1058 (autograph score); A-Wn Mus.Hs.16996 (parts); swedish arrangement of the Kyrie by Johan Helmich Roman in S-Skma Ro:95

Missa Primitiva K 26: D-Dl Mus. 2130-D-2

Missa Quadragesimalis K 29: D-B Mus.ms. 6799

Missa Sancti Joannis K 34: A-Wn Mus.Hs.19012

Missa Vicissitudinis K 44 / L 14 (Kyrie): D-B Mus.ms. 13162

Missa C-Dur K 47: A-Wn Mus. Hs. 16118 (partial autograph)

Requiem and Kyrie K 51: A-Wn Mus.Hs.19015; D-B Mus.ms. 2750

Dies irae K 52: A-Wn Mus.Hs.16353

Domine Jesu Christe K 53: A-Wn Mus.Hs.16354

Libera me K 54: Digitalisat D-B Mus.ms.autogr. Fux, J. J. 1 (autograph); D-B Mus.ms.autogr. Salieri, A. 3 (6)

Dixit, et Confitebor K 76: A-Wn Mus.Hs.17399

Dixit, et confitebor K 77: A-Wn Mus.Hs.17369

Confitebor K 79: D-DS Mus.ms. 328

Beatus, et laudate pueri K 82: A-Wn Mus.Hs.16415

Laudate pueri K 86: A-Wn Mus.Hs.16961

Laetatus sum K 104: A-Wn Mus.Hs.17349

Completorium K 127: A-Wn Mus.Hs.16428 (autograph)

Graduale "Universi, qui te expectant" K 137: A-Wn Mus.Hs. 15825 (Bl. 1a-4a)

Graduale "Ex Sion species" K 139: A-Wn Mus.Hs. 15825 (Bl. 5a-7b)

Graduale "Qui sedes Domine" K 140: A-Wn Mus.Hs. 15825 (Bl. 9a-13b)

Graduale "Prope est Dominus" K 141: A-Wn Mus.Hs. 15825 (Bl. 15a-18a)

Graduale "Hodie scietis" K 142: A-Wn Mus.Hs. 15825 (Bl. 19a-25b)  (autograph: Bl. 22ab)

Angelis suis K 143: D-B Mus.ms.autogr. Salieri, A. 3; A-Wn Mus.Hs. 15825 (Bl. 26a-39b)

Graduale pro defunctis "Requiem aeternam" K 146: A-Wn Mus.Hs. 15825 (Bl. 40a-47a)

Graduale ex Missa pro defunctis "Requiem aeternam" K 147: A-Wn Mus.Hs. 15825 (Bl. 48a-53b)

Miserere K 148: D-Dl Mus. 2130-D-5,2

8 offertories K 149 (Deus tu convertens), K 150 (Benedixisti Domine), K 151 (Ave Maria), K 152 (Tollite portas), K 153 (Ad te Domine levavi), K 154 (Domine, in auxilium meum), K 155 (Domine fac mecum misericordiam), K 156 (Intende voci orationis): compiled manuscript A-Wn Mus.Hs.15820

Offertorium Ave Maria K 151: A-Wn F24.St.Peter.F8; A-Wn Mus.Hs.15820 (Bl. 11a-14a); swedish arrangement by J. H. Roman in S-Skma Ro:95; sketches in S-Skma Ro:97

Offertorium Ad te levavi K 153: D-B Mus. ms. 6793

Motetto de Resurrectione Domini "Plaudite, sonat tuba" K 165: A-Wn Mus.Hs.17380

Motetto de B. M. Virgine K 175: A-Wn Mus.Hs.17391

Motetto Sicut cervus desiderat K 184: D-DS Mus.ms 331

Alma Redemptoris K 187: D-Dl Mus. 2130-E-1 (autograph)

Ave Regina K 208: A-Wn Mus.Hs. 16377

Ave Regina à 3 K 214: A-Wn Mus.Hs.16382

Ave Regina à 3 K 215: A-Wn Mus.Hs.16389

Ave Regina à 3 K 216: A-Wn Mus.Hs.16379

Ave Regina à 3 K 217: A-Wn Mus.Hs.16373

Per te mundus K 252: A-Wn Mus.Hs.16403

Salve Regina à 3 K 258: A-Wn Mus.Hs.16396

Salve Regina à 3 voci K 259: A-Wn Mus.Hs.16391

Salve Regina K 260: A-Wn Mus.Hs.16397

Salve Regina à 3 K 261: A-Wn Mus.Hs.16394

Salve Regina à 4 a cappella K 265:  A-Wn Mus.Hs. 9658 (autograph)

Te Deum K 271: swedish arrangement by Johan Helmich Roman in S-Skma Ro:95; sketches in S-Skma Ro:97 und S-Skma Ro:98

Vitae forma K 278: A-Wn Mus.Hs.16401

Mysteria gaudiosa K 289: A-Wn Mus.Hs. 16756 (autograph)

Gesù Cristo negato da Pietro K 297 / FuxWV II.1.9: A-Wn Mus.Hs. 18196 (score); A-Wn Mus.Hs. 18197/1-5 (parts)

S. Dimpna K 300a / FuxWV II.1.1: A-Wn Mus.Hs.18953 (II. part; fragment)

Pulcheria K 303 / FuxWV II.2.7: D-Dl Mus.2130-F-1

Julo Ascanio K 304 / FuxWV II.2.6: A-Wn Mus.Hs. 17347 (score); A-Wn Mus.Hs. 17248 (parts)

Gli Ossequi della notte K 205 / FuxWV II.2.9: A-Wn Mus.Hs. 17998 (score); A-Wn Mus.Hs. 17999/1-4 (parts)

La Decima Fatica d'Ercole K 307 / FuxWV II.2.10: A-Wn Mus.Hs. 17276

Dafne in Lauro K 308 / FuxWV II.2.11: A-Wn Mus.Hs.17249 (score); A-Wn Mus.Hs. 17250 (parts)

Angelica vincitrice K 310 / FuxWV II.2.13: A-Wn Mus.Hs.17282/1-3 (score); A-Wn Mus.Hs. 17281/1-4 (parts)

Costanza e fortezza K 315 / FuxWV II.2.18: A-Wn Mus.Hs.17266/1-3

Giunone placata K 316 / FuxWV II.2.19: A-Wn Mus.Hs.17268 (score); A-Wn Mus.Hs.17268 (parts)

Enea negli Elisi, ovvero Il Tempio dell'Eternità K 318 / FuxWV II.2.21: A-Wn Mus.Hs. 18274 (score); A-Wn Mus.Hs. 18275 (parts; incl. Arie per balli by Nicolaus Matteis)

Sinfonia a4 for G. Bononcini's Proteo sul Reno K 322 / FuxWV III.3.8: A-Wn Mus.Hs.16280

Triopartita K 324 / FuxWV III.3.9: D-Dl Mus.2130-Q-1

Sinfonia a 3 K 330 / FuxWV Anh. 3 III.3.1: D-Dl Mus.2392-Q-6

Turcaria K 331 (doubtful attribution): A-KR H 36.363 Violino I, Violino II, Basso

Ouverture / Partie K 334 / FuxWV III.4.14: D-Dl 27067, D-Dl Mus.2130-N-2a, D-Dl Mus.2130-N-2b

Ouverture K 335 / FuxWV III.4.10: D-Dl Mus.2130-N-1a

Triosonate K 340 / NZ 28 / FuxWV III.1.35: D-Dl Mus.2130-Q-2a

Trio Sonate K 341 / FuxWV III.1.7: D-Dl Mus.1-B-98

Sonata a3 K 342: D-Dl Mus.1-B-98

Sonata a 3 Violini concertanti K 344 / FuxWV III.2.11: A-Wn Mus.Hs.3626 Mus; A-Wn Mus. Hs. 3658 Mus

Sonata K 346 / FuxWV III.2.10: D-Dl Mus.1-B-98

Sonata a4 K 347 / FuxWV III.2.6: D-Dl Mus.1-B-98

Concentus musico-instrumentalis K 352–358 / FuxWV III.4.19, III.4.24, III.4.8, III.4.11, III.4.4, III.4.5, III.3.13: D-B Mus. 9739 Rara; Übersetzung der Widmungen (Hubert Reitterer)

Ouverture K 359 / FuxWV III.4.12: D-B Mus.ms. 30240 (11)

Sonata à 3 K 365 / FuxWV III.1.38: A-Wn Mus.Hs. 3630

Sonata a 3 Violini poco Concerti K 394 / FuxWV III.2.11: A-Wn Mus.Hs.3658

Sonata pastorale K 395 / FuxWV III.1.48: A-Wn Mus.Hs. 3659

Capriccio K 404 / FuxWV III.5.3: D-B Mus.ms. 6829/2

Kyrie L 22: D-B Mus. ms. 6793

Laudate pueri E 26: D-DS Mus.ms 329

Sinfonia E 63 / FuxWV III.4.23: A-Wn Mus.Hs. 16009 

Triosonate E 66 / FuxWV III.1.1: D-DS Mus.ms 327 

Triosonate E 67 / FuxWV III.8.2: D-DS Mus.ms 334; D-DS Mus.ms. 334a

Ouverture E 70 / FuxWV III.5.20: D-B Mus.ms. 6829/1

Ouverture E 109 / FuxWV III.4.6: D-DS Mus Ms 332

Ouverture E 110 / FuxWV III.4.13: D-DS Mus.ms 333

Rondeau E 111 / FuxWV III.4.18: D-Dl Mus.2130-N-3

Parthie E 117 / FuxWV III.5.21: D-B Mus.ms.6829/1

Missa in Contrapuncto Z 4: D-B Am.B 412; D-B Am.B 563

Fuga No. 1, 2 Z 5: D-B Mus.ms. 6827/1; D-B Mus.ms. 6827/2 

Cum Sancto Spiritu: D-Dl Mus.1-B-98

11 Kanons: D-Dl Mus.1-B-98

Other sources

Copy of fugues for two violins (Singfundament) by Franz Schubert (notated on the fragment of D 577): D-B Mus.ms.autogr. Schubert, F. 2

Theoretical Works

See also the list on imslp.org

Gradus ad Parnassum (original version in Latin, Vienna 1725) FuxWV I.1: Copy in the BSB München, Copy in the ETH Zürich; Copy from the property of Leopold Mozart (ISM-Rara Lit 36); Copy at the Czech National Library; Copy in the Austrian National Library (A-Wn 60145-D MUS MAG); Copy at the University of Chapel Hill, North Carolina; Frontispiece of the first edition

Gradus ad Parnassum oder Anführung zur Regelmäßigen Musikalischen Composition (German translation by Lorenz Mizler, Leipzig 1742: copy in A-Wmi; copy A-Wn 60172-B MUS MAG; Copy at University of Chapel Hill, North Carolina; reprint by Johann Samuel Heinsius, Leipzig 1797 (A-Wn 571112-B MUS MAG); handwritten copy by J. D. Preißler (1809)

Gradus ad Parnassum, excerpts by Ludwig van Beethoven (autograph)

Exercises by Barbara Ployer written in the course of her lessons with Wolfgang Amadé Mozart after the example of the Gradus: A-Wn Mus.Hs. 17559

Musikalischer Unterricht, German excerpts by Placidus von Camerloher

Traité de Composition (Gradus ad Parnassum) (French translation by Pietro Denis, Paris 1773)

Practical Rules (Gradus ad Parnassum) (English translation [J. C. Heck], ca. 1768); partially English translation by A. Mann

Salita al Parnasso (Gradus ad Parnassum) (Italian translation by Alessandro Manfredi, 1761)

Andrea Basili, Musica prattica (handwritten Italian translation of Gradus): D-B Mus.ms.autogr.theor.7445

Geminiano Giacomelli: Guida alla regolare Composizione di Musica (handwritten Italien translation of Gradus)

Regole musicali a principianti per uso di contropunto: US-Cn Case 5A 11 (handwritten Italian translation of Gradus)

Johan Helmich Roman, examples of Gradus: S-Skma Ro:99


Il fonte della salute K 293 / FuxWV II.1.6: Libretto D-B Mus. Tf 721

Cristo nell'Orto K 296 / FuxWV II.1.8: Libretto (German and Italian): KUG Digitalisat 1; KUG Digitalisat 2

La Deposizione della Croce di Gesu Cristo K 300 / FuxWV II.1.12: Libretto (1728) A-Wn 25236-B; Libretto (1738): A-Wn 1800-B

La clemenza d'Augusto K 301 / FuxWV II.2.5: Libretto I-Mb Racc.dramm.5377

L'offendere per amare overo La Telesilla K 302 / FuxWV II.2.4: Libretto I-Mb Racc.dramm.25691

Angelica vincitrice K 310 / FuxWV II.2.13: Libretto (F-Pn 8-RA6-156); Libretto I-Mb Racc.dramm.5932 (1. Akt); Libretto A-Wn BE.12.Q.18; German libretto A-Wn 3784-B

Elisa K 312 / FuxWV II.2.15: Libretto

Giunone placata K 316 / FuxWV II.2.19: Libretto D-B Mus. Tf 722

Enea negli Elisi, ovvero Il Tempio dell'Eternità K 318 / FuxWV II.2.21: Libretto I-Bc Lo.8435a

Teodosio ed Eudossa E 151 (pasticcio based on works by Fux, Gasparini and Caldara): Libretto D-B Mus. T 5-1/12


Angelica vincitrice K 310 / FuxWV II.2.13: Etchings by Ferdinando Galli-Bibiena, Wien 1716

Costanza e fortezza K 315 / FuxWV II.2.18: Etching by Anton Birkhart

Research: Ana Čizmić, Ramona Hocker

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