Unfortunately, in the example of the original version on p. XXXIII, we have confused the systems, which caused the pitch to be incorrectly reproduced. The statements on rhythm and text underlayment remain unaffected by this.
The position is to be located correctly in the altus:
p. 11, Kyrie, bar 104 (last bar), tenor: the final pitch is to be read correctly g (not: a).
Performance parts in the series Fux concertato
Letter A. Fuchs to G. Poelchau (8.10.1831)
Letter A. Fuchs to G. Poelchau (24.10.1831)
Letter A. Fuchs to G. Poelchau (6.01.1832)
Letter A. Fuchs to G. Poelchau (8.09.1835)
Wienerisches Diarium, September 16, 1705, p. 1
Wienerisches Diarium, May 14, 1707, p. 2
Wienerisches Diarium, May 15, 1709, p. 2
Wienerisches Diarium, December 9, 1719, p. 2
Wienerisches Diarium, May 15, 1720, p. 1
Wienerisches Diarium, May 26, 1723, p. 6
Wienerisches Diarium, June 9, 1723, p. 7
Wienerisches Diarium, May 25, 1726, p. 4
Wienerisches Diarium, February 4, 1728, p. 4
Wienerisches Diarium, December 29, 1728, p. 2
Wienerisches Diarium, February 2, 1729, p. 2
Wienerisches Diarium, April 2, 1729, S. 2
Wienerisches Diarium, April 27, 1729, p. 2 and 13–24
Wienerisches Diarium, May 18, 1729, p. 6f.
Wienerisches Diarium, July 1, 1730, p. 11ff.
Wienerisches Diarium, May 27, 1730, p. 5 and 9-12
Wienerisches Diarium, November 25, 1730, p. 11–18
Wienerisches Diarium, June 27, 1731, p. 11–14