The list of external links to digital content is checked and extended at regular intervals. At present, further unspecified works by Fux are identified in the catalogues. In the work database (under construction), the web links will connect to the particular compositions. We are grateful for references to other digitized sources.
The list remains sorted by K, L, E, N and Z numbers until the complete FuxWV is published. The numbers according to FuxWV are additionally indicated for the sacred and secular dramatic works as well as for the instrumental works. For a targeted quest, please use the search function of your browser.
List of RISM-Sigel: RISM search function, Wikipedia
Missa Ariosa K 2, L 20 / Missa S. Michaelis K 36: D-Dl Mus.2130-D-5,1; D-Dl Mus.1-B-98 (Benedictus)
Missa brevis solennitatis K 5: A-Wn Mus.Hs.19193 (autograph)
Missa brevium ultima K 6: D-DL Mus.2130-D-3
Missa Canonica K 7: A-Wn Mus.Hs.15556 (copy by Michael Haydn); D-B Am.B 413, D-DS Mus.ms. 331
Missa Corporis Christi K 10: F-Pn RES F-1058 (autograph score); A-Wn Mus.Hs.16996 (parts); swedish arrangement of the Kyrie by Johan Helmich Roman in S-Skma Ro:95
Missa Primitiva K 26: D-Dl Mus. 2130-D-2
Missa Quadragesimalis K 29: D-B Mus.ms. 6799
Missa Sancti Joannis K 34: A-Wn Mus.Hs.19012
Missa Vicissitudinis K 44 / L 14 (Kyrie): D-B Mus.ms. 13162
Missa C-Dur K 47: A-Wn Mus. Hs. 16118 (partial autograph)
Requiem and Kyrie K 51: A-Wn Mus.Hs.19015; D-B Mus.ms. 2750
Dies irae K 52: A-Wn Mus.Hs.16353
Domine Jesu Christe K 53: A-Wn Mus.Hs.16354
Libera me K 54: Digitalisat D-B Mus.ms.autogr. Fux, J. J. 1 (autograph); D-B Mus.ms.autogr. Salieri, A. 3 (6)
Dixit, et Confitebor K 76: A-Wn Mus.Hs.17399
Dixit, et confitebor K 77: A-Wn Mus.Hs.17369
Confitebor K 79: D-DS Mus.ms. 328
Beatus, et laudate pueri K 82: A-Wn Mus.Hs.16415
Laudate pueri K 86: A-Wn Mus.Hs.16961
Laetatus sum K 104: A-Wn Mus.Hs.17349
Completorium K 127: A-Wn Mus.Hs.16428 (autograph)
Graduale "Universi, qui te expectant" K 137: A-Wn Mus.Hs. 15825 (Bl. 1a-4a)
Graduale "Ex Sion species" K 139: A-Wn Mus.Hs. 15825 (Bl. 5a-7b)
Graduale "Qui sedes Domine" K 140: A-Wn Mus.Hs. 15825 (Bl. 9a-13b)
Graduale "Prope est Dominus" K 141: A-Wn Mus.Hs. 15825 (Bl. 15a-18a)
Graduale "Hodie scietis" K 142: A-Wn Mus.Hs. 15825 (Bl. 19a-25b) (autograph: Bl. 22ab)
Angelis suis K 143: D-B Mus.ms.autogr. Salieri, A. 3; A-Wn Mus.Hs. 15825 (Bl. 26a-39b)
Graduale pro defunctis "Requiem aeternam" K 146: A-Wn Mus.Hs. 15825 (Bl. 40a-47a)
Graduale ex Missa pro defunctis "Requiem aeternam" K 147: A-Wn Mus.Hs. 15825 (Bl. 48a-53b)
Miserere K 148: D-Dl Mus. 2130-D-5,2
8 offertories K 149 (Deus tu convertens), K 150 (Benedixisti Domine), K 151 (Ave Maria), K 152 (Tollite portas), K 153 (Ad te Domine levavi), K 154 (Domine, in auxilium meum), K 155 (Domine fac mecum misericordiam), K 156 (Intende voci orationis): compiled manuscript A-Wn Mus.Hs.15820
Offertorium Ave Maria K 151: A-Wn F24.St.Peter.F8; A-Wn Mus.Hs.15820 (Bl. 11a-14a); swedish arrangement by J. H. Roman in S-Skma Ro:95; sketches in S-Skma Ro:97
Offertorium Ad te levavi K 153: D-B Mus. ms. 6793
Motetto de Resurrectione Domini "Plaudite, sonat tuba" K 165: A-Wn Mus.Hs.17380
Motetto de B. M. Virgine K 175: A-Wn Mus.Hs.17391
Motetto Sicut cervus desiderat K 184: D-DS Mus.ms 331
Alma Redemptoris K 187: D-Dl Mus. 2130-E-1 (autograph)
Ave Regina K 208: A-Wn Mus.Hs. 16377
Ave Regina à 3 K 214: A-Wn Mus.Hs.16382
Ave Regina à 3 K 215: A-Wn Mus.Hs.16389
Ave Regina à 3 K 216: A-Wn Mus.Hs.16379
Ave Regina à 3 K 217: A-Wn Mus.Hs.16373
Per te mundus K 252: A-Wn Mus.Hs.16403
Salve Regina à 3 K 258: A-Wn Mus.Hs.16396
Salve Regina à 3 voci K 259: A-Wn Mus.Hs.16391
Salve Regina K 260: A-Wn Mus.Hs.16397
Salve Regina à 3 K 261: A-Wn Mus.Hs.16394
Salve Regina à 4 a cappella K 265: A-Wn Mus.Hs. 9658 (autograph)
Te Deum K 271: swedish arrangement by Johan Helmich Roman in S-Skma Ro:95; sketches in S-Skma Ro:97 und S-Skma Ro:98
Vitae forma K 278: A-Wn Mus.Hs.16401
Mysteria gaudiosa K 289: A-Wn Mus.Hs. 16756 (autograph)
Gesù Cristo negato da Pietro K 297 / FuxWV II.1.9: A-Wn Mus.Hs. 18196 (score); A-Wn Mus.Hs. 18197/1-5 (parts)
S. Dimpna K 300a / FuxWV II.1.1: A-Wn Mus.Hs.18953 (II. part; fragment)
Pulcheria K 303 / FuxWV II.2.7: D-Dl Mus.2130-F-1
Julo Ascanio K 304 / FuxWV II.2.6: A-Wn Mus.Hs. 17347 (score); A-Wn Mus.Hs. 17248 (parts)
Gli Ossequi della notte K 205 / FuxWV II.2.9: A-Wn Mus.Hs. 17998 (score); A-Wn Mus.Hs. 17999/1-4 (parts)
La Decima Fatica d'Ercole K 307 / FuxWV II.2.10: A-Wn Mus.Hs. 17276
Dafne in Lauro K 308 / FuxWV II.2.11: A-Wn Mus.Hs.17249 (score); A-Wn Mus.Hs. 17250 (parts)
Angelica vincitrice K 310 / FuxWV II.2.13: A-Wn Mus.Hs.17282/1-3 (score); A-Wn Mus.Hs. 17281/1-4 (parts)
Costanza e fortezza K 315 / FuxWV II.2.18: A-Wn Mus.Hs.17266/1-3
Giunone placata K 316 / FuxWV II.2.19: A-Wn Mus.Hs.17268 (score); A-Wn Mus.Hs.17268 (parts)
Enea negli Elisi, ovvero Il Tempio dell'Eternità K 318 / FuxWV II.2.21: A-Wn Mus.Hs. 18274 (score); A-Wn Mus.Hs. 18275 (parts; incl. Arie per balli by Nicolaus Matteis)
Sinfonia a4 for G. Bononcini's Proteo sul Reno K 322 / FuxWV III.3.8: A-Wn Mus.Hs.16280
Triopartita K 324 / FuxWV III.3.9: D-Dl Mus.2130-Q-1
Sinfonia a 3 K 330 / FuxWV Anh. 3 III.3.1: D-Dl Mus.2392-Q-6
Turcaria K 331 (doubtful attribution): A-KR H 36.363 Violino I, Violino II, Basso
Ouverture / Partie K 334 / FuxWV III.4.14: D-Dl 27067, D-Dl Mus.2130-N-2a, D-Dl Mus.2130-N-2b
Ouverture K 335 / FuxWV III.4.10: D-Dl Mus.2130-N-1a
Triosonate K 340 / NZ 28 / FuxWV III.1.35: D-Dl Mus.2130-Q-2a
Trio Sonate K 341 / FuxWV III.1.7: D-Dl Mus.1-B-98
Sonata a3 K 342: D-Dl Mus.1-B-98
Sonata a 3 Violini concertanti K 344 / FuxWV III.2.11: A-Wn Mus.Hs.3626 Mus; A-Wn Mus. Hs. 3658 Mus
Sonata K 346 / FuxWV III.2.10: D-Dl Mus.1-B-98
Sonata a4 K 347 / FuxWV III.2.6: D-Dl Mus.1-B-98
Concentus musico-instrumentalis K 352–358 / FuxWV III.4.19, III.4.24, III.4.8, III.4.11, III.4.4, III.4.5, III.3.13: D-B Mus. 9739 Rara; Übersetzung der Widmungen (Hubert Reitterer)
Ouverture K 359 / FuxWV III.4.12: D-B Mus.ms. 30240 (11)
Sonata à 3 K 365 / FuxWV III.1.38: A-Wn Mus.Hs. 3630
Sonata a 3 Violini poco Concerti K 394 / FuxWV III.2.11: A-Wn Mus.Hs.3658
Sonata pastorale K 395 / FuxWV III.1.48: A-Wn Mus.Hs. 3659
Capriccio K 404 / FuxWV III.5.3: D-B Mus.ms. 6829/2
Kyrie L 22: D-B Mus. ms. 6793
Laudate pueri E 26: D-DS Mus.ms 329
Sinfonia E 63 / FuxWV III.4.23: A-Wn Mus.Hs. 16009
Triosonate E 66 / FuxWV III.1.1: D-DS Mus.ms 327
Triosonate E 67 / FuxWV III.8.2: D-DS Mus.ms 334; D-DS Mus.ms. 334a
Ouverture E 70 / FuxWV III.5.20: D-B Mus.ms. 6829/1
Ouverture E 109 / FuxWV III.4.6: D-DS Mus Ms 332
Ouverture E 110 / FuxWV III.4.13: D-DS Mus.ms 333
Rondeau E 111 / FuxWV III.4.18: D-Dl Mus.2130-N-3
Parthie E 117 / FuxWV III.5.21: D-B Mus.ms.6829/1
Missa in Contrapuncto Z 4: D-B Am.B 412; D-B Am.B 563
Fuga No. 1, 2 Z 5: D-B Mus.ms. 6827/1; D-B Mus.ms. 6827/2
Cum Sancto Spiritu: D-Dl Mus.1-B-98
11 Kanons: D-Dl Mus.1-B-98
Other sources
Copy of fugues for two violins (Singfundament) by Franz Schubert (notated on the fragment of D 577): D-B Mus.ms.autogr. Schubert, F. 2
See also the list on imslp.org
Gradus ad Parnassum (original version in Latin, Vienna 1725) FuxWV I.1: 1. copy in the BSB Munich, 2. copy in the BSB Munich, Copy in the ETH Zurich; Copy from the property of Leopold Mozart (ISM-Rara Lit 36); Copy at the Czech National Library; Copy in the Austrian National Library (A-Wn 60145-D MUS MAG); Copy at the University of Chapel Hill, North Carolina; Frontispiece of the first edition
Gradus ad Parnassum oder Anführung zur Regelmäßigen Musikalischen Composition (German translation by Lorenz Mizler, Leipzig 1742: copy in A-Wmi; copy A-Wn 60172-B MUS MAG; Copy at University of Chapel Hill, North Carolina; reprint by Johann Samuel Heinsius, Leipzig 1797 (A-Wn 571112-B MUS MAG); handwritten copy by J. D. Preißler (1809)
Gradus ad Parnassum, excerpts by Ludwig van Beethoven (autograph)
Exercises by Barbara Ployer written in the course of her lessons with Wolfgang Amadé Mozart after the example of the Gradus: A-Wn Mus.Hs. 17559
Musikalischer Unterricht, German excerpts by Placidus von Camerloher
Traité de Composition (Gradus ad Parnassum) (French translation by Pietro Denis, Paris 1773)
Practical Rules (Gradus ad Parnassum) (English translation [J. C. Heck], ca. 1768); partially English translation by A. Mann
Salita al Parnasso (Gradus ad Parnassum) (Italian translation by Alessandro Manfredi, 1761)
Andrea Basili, Musica prattica (handwritten Italian translation of Gradus): D-B Mus.ms.autogr.theor.7445
Geminiano Giacomelli: Guida alla regolare Composizione di Musica (handwritten Italien translation of Gradus)
Regole musicali a principianti per uso di contropunto: US-Cn Case 5A 11 (handwritten Italian translation of Gradus)
Johan Helmich Roman, examples of Gradus: S-Skma Ro:99
Il fonte della salute K 293 / FuxWV II.1.6: Libretto D-B Mus. Tf 721
Cristo nell'Orto K 296 / FuxWV II.1.8: Libretto (German and Italian): KUG Digitalisat 1; KUG Digitalisat 2
La Deposizione della Croce di Gesu Cristo K 300 / FuxWV II.1.12: Libretto (1728) A-Wn 25236-B; Libretto (1738): A-Wn 1800-B
La clemenza d'Augusto K 301 / FuxWV II.2.5: Libretto I-Mb Racc.dramm.5377
L'offendere per amare overo La Telesilla K 302 / FuxWV II.2.4: Libretto I-Mb Racc.dramm.25691
Angelica vincitrice K 310 / FuxWV II.2.13: Libretto (F-Pn 8-RA6-156); Libretto I-Mb Racc.dramm.5932 (1. Akt); Libretto A-Wn BE.12.Q.18; German libretto A-Wn 3784-B
Elisa K 312 / FuxWV II.2.15: Libretto
Giunone placata K 316 / FuxWV II.2.19: Libretto D-B Mus. Tf 722
Enea negli Elisi, ovvero Il Tempio dell'Eternità K 318 / FuxWV II.2.21: Libretto I-Bc Lo.8435a
Teodosio ed Eudossa E 151 (pasticcio based on works by Fux, Gasparini and Caldara): Libretto D-B Mus. T 5-1/12
Angelica vincitrice K 310 / FuxWV II.2.13: Etchings by Ferdinando Galli-Bibiena, Wien 1716
Costanza e fortezza K 315 / FuxWV II.2.18: Etching by Anton Birkhart
Research: Ana Čizmić, Ramona Hocker